F8,2SEC,ISO 200
This is a Photo of the lasers which are not that impressive in photo as they were to look at but I do like the colour,patterns and shapes it shows. A longer shutter speed might of helped here making the lasers more defined.
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Photographer: Lesley Meredith
Lesley Meredith
Lesley Meredith is a renowned wedding photographer. Her enthusiasm started from her grandfathers love of photography and making black and white prints. It was the wish to take ''beautiful photographs'' of her children that led her to becoming a full time professional photographer. She studied at college and became a member of the local camera club and found she was asked to do wedding photography soon establishing a reputation for quality and perfection in her work. She finds the whole process of capturing wedding ''magical'' and aims to make the wedding day photography ''fabulous,fun, and most importantly enjoyable.''
The aim is to make couples feel comfortable and relaxed so that moments captured feel natural and genuine. She shows in her work the understanding of how important the use of light is in making a stunning portrait. I like her list of ingredients to be used in the wedding photography.
. A generous sprinkling of vintage glamour.
. A hint of detail and spontaneity
. A good helping of fun!
. A dash of WOW factor!
Along with her husband Lesley holds the prestigious Craftsman with Distinction title with the S.W.P.P for there wedding imagery and also the L.M.P.A. title with the M.P.A. organisation for full time professional wedding photographers.
I took some photos of my friend Emma who got married recently after researching Lesley Meredith I tried to recreate some of the images she has taken below that I liked. I would of liked to have taken some outside shots but the weather turned bad when I arrived so had to make do with taking the photographs inside. This proved a problem with lighting as I had no lighting equiptment. All the pictures below were taken on manual settings to compensate for the lack of light inside a house.
Camera Used- Canon 1100 D
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Safety aspects:
. No trip hazards for me or the model and move anything that was in our way
. When taking photos on stairs making the position safe
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Lesley Meredith
A light hearted image with the bride central to the composition. The back ground on the slant makes for a more interesting photo.
F/7.1,1/100SEC, ISO400 I feel I have succeeded in producing a fun image like the one above,but the background is rather dull.
Lesley Meredith
This photograph by Lesley is a nice image showing the Bride getting ready. I like the way she has blurred the front image and makes the image in the mirror the main focal point. It looks very effective in black and white.
F/5.6,1/40SEC,ISO 800 This is my informal image taken by using mirror reflection although this is not an obvious reflection as I dont show the mirror
I liked the way I captured the natural image of her getting ready.
Lesley Meredith
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I like again this black and white image and how the bride boldly stands out against the dark blurred background.
The colouring of the flower draws your attention to the brides face and the eyes draws you in. I like the composition of this photo and particularly the pose.
This has Lesley's WOW factor.
F/4, 1/60SEC, ISO800 I've tried to recreate the pose that Lesley Meredith used above and feel that again the eyes can draw you into the photo.The background colour is not so dramatic but helps the natural feel.
Lesley Meredith
Here a model pose is shown. You get the impresstion from the photo that she has been asked to portray a confident almost arrogant pose. The background is unusal in that the lines seem to frame the bride. I find this image a bit uninteresting.
F/7.1, 1/125 SEC, ISO 400 Same idea of the model pose but I have done this in a more ''fun'' way.
I used the curtains as a dull background to make the white dress stand out.
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Tutbury Castle Medieval Photoshoot
I visited Tutbury castle recently for a medieval photo shoot that was taking place. I took the Canon EOS 1000D that I borrowed from college with me. I found this a challenge as I haven't used this kind of camera before so had to spend some time practising first. It was also a very windy day and I had left the tripod at home so I think maybe this was a mistake as this would of helped to steady the camera. But I feel as though I managed to get some good shots. The Models would not pose for long periods so I had to be quick and also there were quite a few photographers there so finding a space around them and trying to get the position I wanted for the image before the model moved was quite hard at times, but I enjoyed the challenge the more I got into it.
Camera Used-Canon EOS 1000D
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safety
.Make sure that when I was up on steep hills that I didn't stand too close to the edge.
.Don't ask the models to pose in an unsafe position.
.Be aware of other photographers and their equipment around.
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Photographer Nigel Wallace-Iles
Originally a soldier and a geologist this modern photographer specialised in all subjects of history, but his main interest is in the medieval era which was of importance to me in my medieval photo shoot at Tutbury Castle. He now does this as a full time career and during a festival season in England and Europe will visit numerous medieval events trying to capture the very essence of the medieval period.
He converses with and plans participation with re-en actors and involves himself in all action,whether it be medieval cooking or battle scenes.
He says,
"I love being able to capture images of these events and people and to be a part of it. I have had an enormous desire to be involved with medieval events and history for as long as I can remember. Visiting castles was all I wanted to do as a child, and that desire hasn't stopped. Being in a castle and touching the very same walls that a king or a knight, or an armourer or a squire had, several hundred years ago, is like being able to touch the very history itself and connect with it."
Nigel's photographs are used by many different organisations and societies and of course by the re-enactors. They are used for publicity and other commercial purposes where appropriate copyright releases are required.
Nigel Wallace-ILes
This image has a deep colour saturation as well as natural light shown through the window. The photo looks as though it is telling a story. She is looking as though she wants to be set free from this dark place. This image led me to think about how I could show the same feeling in my shoot at Tutbury Castle.
Below are more Medieval photos by Nigel Wallace that helped me get inspiraton particularly in respect to use of background.
Nigel Wallace-ILes
Nigel Wallace-ILes
Nigel Wallace-ILes
Below are the images I have taken at Tutbury Castle.
F/5.6,1/60 Sec, ISO 100
I liked the composition of this picture as it shows the model in a reflective mood. The subject is the focal point but I have used her in the rule of thirds position so that there is more background and viewpoint shown around the subject to create the mood I wanted to convey.
It is as if she is contemplating running away. The slant of the tree takes your eye from the subject all around the photo and the dark walls supporting the model add to the sombre tone.
F/5.6,1/60 Sec, ISO 100
I don't feel this photo is as expressive as the one above, with the subject more centrally situated and facing the camera it appears as a more set-up image.
Alex Lake
Alex Lake shot a great picture of Mark Ronson against a wall , so I tried to take similar photos in that the model below was positioned against the wall.
F/5.6, 1/50 Sec, ISO 200
I tried to replicate the same pose by asking the model to pose this way.
I succeeded reasonably but featured rather too much background whereas the model in Alex Lakes photo totally dominates the picture.
F/5.6, 1/50 Sec,ISO 80
I wanted to try out a full length pose in this shot with the model positioned at a different angle. This was under exposed a little. I feel as well in in all these three pictures the model is not showing much expression and her look is bland.
F/8, 1/200Sec, ISO 400
Again trying out a different position of the model I like the composition I captured in this.
F/5.6, 1/50 Sec, ISO100
I took this photo from a low angle shot on the ground looking up to the subject. The slanting position of the subject and the rock takes your eye all around the picture. I think the depth of field to the right gives a feeling of scale to the photo.
F/4, 1/60Sec,ISO 800 This is my favourite image of the images taken at Tutbury Castle. It has Lot's of bright saturated colour and the models facial expression is seductive.
I think the composition is good and the darker stone background makes the colours jump out at you. The focal point is the model's face.
F/5.6 1/40 Sec, ISO 200 The same shot, but I decided to move back a bit to get more of the model's body in this shot. This is a bit under exposed. I still like the composition of the photo,but there is a shadow to the left of the model which takes your eye away a little. This was done in a dark room of the ruins of the castle so a higher ISO would have been better as in the one I took above.
F/6.3 1/200sec,ISO 800
A side on view of the model. I like the postion she was in showing a rather different angle to the image.
F/6.3 1/200sec,ISO 800 Another close up shot but taken at a slight angle looking up at the model.
F/6.3,1/200 SEC,800 ISO
In this image the model has taken a nice pose giving the impression that she is relaxed and enjoying the view. The depth of field gives an interesting background and makes her really stand out. The composition is good as I have not taken it with her right in the centre to get more of the view in.
F/5.6, 1/160 Sec, ISO 800 The image above is the best out of the three taken, I liked the corner the model used to pose in, as it gives a great composition that is different and effective. I decided it would look better by zooming in to get a closer shot.
F/11,1/200 Sec, 800 ISO
The composition is good in this image. I also like the ladies expression in her face and arms as though she has just told someone off and she is not amused. I also like the stripes in the background which makes her stand out and the tonal colours go well together against the models outfit.
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Halloween
These photographs below were taken whilst working during the scare fest event at Alton Towers. As Guests dressed up for Halloween I took the camera that I borrowed from college to
work with me to try and capture a spontaneous moment.
F/5.6, 1/160 Sec, ISO 400 In this image the girl has her eyes closed so I have taken the image again below and made sure i took it with everyones eyes open. I found this a challenge when taking group photos.
F/5.6, 1/160 Sec, ISO 400 This was a bit too over exposed and the background was not a great composition to place the models in front of as the background was too fussy. I did make sure their eyes were open!!
F/5.6, 1/50 Sec, ISO 200 Both of the two images before show character photos and show the problem of trying to take shots where there was a lot of background distraction, But In this photo above I hav positioned the models in front of a better background. The lighting was very dull at the time so I had to change the manual settings on the camera to capture a better exposure and by zooming in I tried to just capture the great make up used to theme the Halloween event.
F/3.5,1/50Sec,ISO 200
Again with this shot I found it challenging to get a photo of the main subject without getting others walking in front of the subject. I like the fact the spot light shows up the singer well but I could of used a faster shutter speed to capture the movement of drum sticks better
F/2.7, 1/5 Sec, ISO 200
This was taken after the show and was just taken to practise getting an image of the boat with the low lit blue lighting.
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Music Photography
I particularly enjoy music photography and like to attend a lot of concerts and gigs. I like the atmosphere and the live music, but my main objective is to take good photographs of the atsist. The lighting at concerts and gigs can be hard to work with sometimes, but I can also use this as an advantage to make the singer stand out when trying to capture that moment in a shot.Due to the darker lighting at concerts and gigs and the movement of the singers on stage, a higher ISO and Shutter speed is also needed Also the different coloured backgrounds can be used to effect.Carsten Windhorst has really inspired me with his music photography and the use he makes of the stage lighting. I have also studied Carrie Musgrave.
.Camera used for Ellie Goulding- Canon Powershot S3 IS
.Coldplay- Samsung Digimax
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safety
.To keep equipment safe when in crowded places.
.To protect the equipment against all weather conditions.
. be aware of the crowd and don't interfere with their enjoyment
. Dont take a lot of equipment only what you can carry safely.
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Photographer Carrie Musgrave
Carrie Musgrave
Carrie has established a career as a music photographer,working for music magazines,websites and record labels. She has worked with over 1,000 musicians including Madonna and oasis. She is Canadian,working mainly in Toronto. Live music photography has been a passion for her since young always attending concerts with a camera in her hand and I so agree with her statement "who wouldn't want to stand almost within touching distance of their favourite rock star and photograph them."
Her photographs capture the energy of a performance and her favourite subject is...
''any musician who gives it their all on stage.''
Although she feels that it is difficult to be unique when shooting concerts photography, she has been told that she has ''an innate ability to capture the height of action and reveal a musicians soul.''
Concert photography is a real hands-on learning experience as conditions constantly change but a certain amount of homework can be done in studying the bands before hand and she often took 2 cameras
(Canon's 5d & 30D) so that there was no time wasted changing lenses.
The Two images above by Carrie both really capture the singers in her performance.
The dark Blue Stage lighting really makes the images look more dramatic.
Again an image taken by Carrie of the singer in her performance. this time she has changed the colour of the image to a dark image which I think makes it look different from her usual images making use of bright stage lighting. I also like the different position she has captured her in.
Photographer Carsten Windhorst
A London-based photographer who specialises in portrait, reportage and live photography and so his work has been of great interest to me. He became professional in 2006 and in 2008 was producing photos for 'Q' Magazine and has shot more than 60 commissioned features for the magazine. In June 2011 he worked with Bjork on her 'Biophilia' project which led to features in the New York times,Sunday times, Q Magazine, MoJo and spin. He has worked with many artists such as Tom Jones, Lionel Ritchie, Lady GAGA, Muse, Stereophonics. In December he had a a photo exhibition at the 02 Arena in London with a one-off photo wall of 80 live image and 25 portraits. He aims to capture his subjects in a unique and unexpected way and he has become globally recognised for his live image.
Carson Windhorst Front image on Q Magazine.
A spread piece on Carston
Again some more images that Carston has taken for Tom Jones Flyers.
Carsten Windhorst
I really like the photo above the way the photographer Carsten has captured the singer under the spot light. The angle of the shot is also rather different and your eyes are drawn around the photo from the focal point being her face.
F/3.5,1/50Sec,ISO 400 This image taken by me was also taken with the singer under the spot light and works against the dark backgroud. I feel I captured the emotion of the singer well enough. The singer is well placed in the centre.
Carsten Windhorst
A good close up shot of the singers face well lit and showing her in her element.
Carsten Windhorst
A good motion photograph. The blue stage lights in the background work well with the spot light and exaggerate the movement. The side angle shot allows for the instruments
to be shown as well.
F/3.5,1/60 Sec,ISO 400 I also have taken this from the side so I could include instruments . Mine is a more static shot capured when she was talking to the audience.
carsten windhorst
The head on shot of the singer running toward the camera and the confetti falling gives an atmospheric look. The back spotlight is well postioned in this image otherwise the singer might not have stood out that well.
Samsung Digimax F/4.4, 1/60 Sec, ISO 288 Using a different camera and sitting quite high up meant the photo was not particularly clear and sharp, but I do like the image of the crowd lit up and the confetti falling.
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